Saturday, September 28, 2013

September 30, 2013 - October 4, 2013 10th Grade English Agenda

Monday, September 30th:
Short quiz on Kohlberg's Stages of Moral Development

PERSPECTIVES in MULTICULTURAL LITERATURE
Pages 15 - 16
Page 15:
Choose an Issue
State Your Opinion
Consider Your Purpose and Audience
Page 16:
Support Your Opinion: Logical Appeals, Emotional Appeals, Ethical Appeals
Types of Evidence: Facts, Examples, Expert Opinion, Analogies, Case Studies, Anecdotes
Page 17:
Opinion: Reasons and Evidence
Organize Your Essay

For homework: Write a rough draft of a persuasive essay based on an issue you have strong feelings about. Follow the procedures in pages 15 - 17 in your Perspectives book.


Tuesday, October 1st:
No 2nd period today.

Wednesday, October 2nd:
Please bring your VOCABULARY WORKSHOP: Level C; Unit 2
This will be due on Monday, October 7th.

PERSPECTIVES in MULTICULTURAL LITERATURE
Pages 18 - 21
Page 18 - 19: A Writer's Model
Read and analyze
Page 20 - 21: Revising
Peer Editing:
Rubric: Writing a Persuasive Essay
Evaluation Questions, Tips, Revision Techniques
Page 21: Analyzing the Revision Process

Thursday, October 3rd:
Warm-up:
Using five of your Unit 2 Vocabulary words, write complete grammatically correct sentences.
Continue working on the persuasive essay

Friday, October 4th:
Your persuasive essay will be due today.
PERSPECTIVES in MULTICULTURAL LITERATURE
Pages 24 - 25:
Before You Read
Primary Sources and Secondary Sources
Using the Sources:
Analyze
Evaluate
Elaborate
Pages 26, 27, and 28:
The War Escalates

 Excerpts from The Things They Carried,
Journals from a Young VietCong Woman Doctor
Letters Home: Letters from Young American Soldiers in Viet Nam




Sunday, September 22, 2013

SEPTEMBER 23, 2013 - SEPTEMBER 27, 2013 WEEKLY AGENDA for 10th GRADE ENGLISH


September 23, 2013 – September 27, 2013 Weekly Agenda for 10th Grade English
Monday, September 23rd:
PERSPECTIVES in MULTICULTURAL LITERATURE
Pages 12 – 15
“The Parable of the Good Samaritan”
“Op-Ed Article: A State Championship Versus Runner’s Conscience”

Write a minimum two paragraph response to the following journal question. Please follow formal essay writing format.

Journal Topic:

What constitutes character? In the op-ed piece, “A State Championship Vs. Runner’s Conscience”, the writer, John Christian Hoyle gave up a state championship to help another fallen runner.  By helping the fallen runner, he disappointed his teammates, his coach, and his school. Do you agree with his decision?  Why or why not? Support your opinion with evidence either from the opinion piece or from your own life experience. 

“Writing Workshop”: Writing a Persuasive Essay: Prewriting

Tuesday, September 24th:
Please bring your HOLT HANDBOOK; pages 34 - 43
Oral Practice: pages 36 - 37; Identifying Sentence and Sentence Fragments
Page 38, Exercise 1; Identifying Subjects and Predicates
Page 40; Exercise 2: Identifying Verbs and Verb Phrases
This will be due on Thursday, September 26th

Finding the Subject and Predicate, and Identifying Verb and Verb Phrases; exercises 1 and 4 will be assigned.  This will be due on Thursday, September 26th.

Wednesday, September 25th:
Pass out, read and analyze Kohlberg's Stages of Moral Development

Thursday, September 26th:
Collect the grammar, HOLT HANDBOOK; pages 34 - 43

Class presentations on Kohlberg's Stages of Moral Development:
The class will break into groups of four and be assigned one of the six stages of Kohlberg's Moral Development.  Each group will explain their stage and then present a short scene illustrating the stage.

Friday, September 27th:
Finish the presentations.

Friday, September 20, 2013

SEPTEMBER 23, 2013 - SEPTEMBER 27, 2013 WEEKLY AGENDA FOR 10TH GRADE ENGLISH

Monday, September 23rd:

Tuesday, September 24th:
HOLT HANDBOOK: pages 34 - 43
Oral Practice: pages 36 - 37; Identifying Sentence and Sentence Fragments
Page 38, Exercise 1; Identifying Subjects and Predicates
Page 42; Exercise 4: Identifying Subjects and Verbs
This will be due on Thursday, September 26th

PERSUASION



PERSPECTIVES in MULTICULTURAL LITERATURE
Pages 10 - 11
"Reading Check": please incorporate the questions into your answers and answer in complete sentences. 
"Test Practice": please answer questions 1 - 8;  you may just write the number and the letter.

"Constructed Response": 
Summarize the two writers' main claim
Find evidence from each article which supports that writer's claim.
Evaluate each evidence the writers used in their argument
Write which article you found more convincing and why
This will be due by tomorrow, Friday, September 20th. 

Friday, September 20th: 
PERSPECTIVES in MULTICULTURAL LITERATURE
Pages 12 - 15
"The Parable of the Good Samaritan"
"Op-Ed Article: A State Championship Versus Runner's Conscience" 
"Writing Workshop": Writing a Persuasive Essay: Prewriting

Notes for the Short Constructed Response:
What is Gloria Allred’s main claim in her article, “If Decency Doesn’t, Then Laws Should Make Us Samaritans”?

We only follow laws.

We should try to make people help others when they are in need.

If people aren’t courteous enough to be Samaritans in emergencies, then the laws should force us to help others.

What is the evidence Gloria Allred uses to support her claim?

She uses the evidence of the baby drowning, which is an emotional appeal.

Allred uses the Princess Diana story in which photographers were taking pictures of Princess Diana  dying, while her companion, the driver of the car and her bodyguard were lying in the crash already dead. (anecdotal: a brief story) Emotional appeal.

Another evidence is the anecdote of a man choking to death on a chicken bone while people are dancing around singing,”Chicken bone!”

The American ”No duty to come to the aid of others” has been criticized by legal scholars, yet the issue has generally been ignored by the public.

Under American law liability generally is for action rather than inaction.

Examination of the strengths and weaknesses of her arguments:

Her argument is one sided  and comes from a “person to person” format.   She relies too much on emotional appeal, and not enough on hard data and statistics.

GOOD SAMARITANS U.S.A. ARE AFRAID TO ACT by Ann Sjoerdsma
Main Claim:
For Americans, moral conscience, not legal duty, remains the best guide to emergency aid.
Mr. Chuy: It’s too late to legislate morality because American culture is too litigious. (Elizabeth: litigious means quick to sue!)
Now, look for evidence to support Ms. Sjoersma’s claim: Does she use data, statistics, anecdotes to support her claim?  Does she base her evidence on  emotional or logical appeals?


Sunday, September 15, 2013

SYLLABUS for 10th GRADE ENGLISH


Course Description
The major purpose of this course is to emphasize analyzing literature in greater depth, analyzing expository text, and producing more complex writing assignments. Students will continue to apply the knowledge and skills acquired in earlier grades with more refinement, depth, and sophistication with grade-appropriate material. The California
Reading/Language Arts Framework states that students in the tenth grade are expected to read one and one-half million words of annually on their own, including a good representation of classic and contemporary literature, magazines, newspapers, and online articles. Students will apply and refine their command of the writing process and writing conventions to produce narrative, persuasive, expository, and descriptive texts of at least 1,500 words each.

English 10AB is organized into three standards-based instructional components that focus on persuasion, exposition, and literary analysis, integrating skills of reading, writing, listening, and speaking. During the persuasion instructional component, students will read persuasive texts, with a focus on the credibility of an author’s argument, the relationship between generalizations and evidence, the comprehensiveness of evidence, the way in which the author’s intent affects the structure and tone of the text, and extend ideas through original analysis, evaluation, and elaboration. Students will generate relevant questions about readings on issues and engage in research. Students will also write persuasive essays and deliver persuasive presentations. In the exposition instructional component, students will read expository texts and use what they have learned to establish a controlling impression or coherent thesis that conveys a clear and distinctive perspective on a subject and maintain a consistent tone and focus throughout a piece of writing. They will use primary and secondary sources accurately, distinguish between information and the significance of the data, be aware of audience, anticipate misunderstandings, and use subject-specific terms accurately. During the literary analysis component, students will read literary texts (e.g., short stories, poetry, and longer works, including novels), recognize and understand the significance of various literary devices, including figurative language, imagery, allegory, and symbolism, and explain their appeal. Students will also explain how voice, persona, and the choice of a narrator affect characterization and the tone, plot, and credibility of a text. Students will write responses to literature and deliver oral responses to literature. English 10AB meets the basic tenth-grade English requirement for graduation and fulfills the B requirement of the UC/CSU Subject Area Requirements.

COURSE SYLLABUS
Complete Standards Sets Attached
Instructional Component 1 – Persuasion
Scope and Sequence (8 to 12 weeks)
Instructional Component 1 identifies and groups key skills and concepts in the area of persuasion. Students will read a rich selection of texts to analyze those that employ propositions and support patterns. They will also evaluate the credibility of an author’s argument or defense of a claim by critiquing the relationship between generalizations and evidence, the comprehensiveness of evidence, and the way in which the author’s intent affects the structure and tone of the text. Through the examination of the works of others, they will develop their own persuasive arguments, both orally and in writing, that structure ideas and arguments in a sustained logical manner, use specific rhetorical devices to support assertions (appeals, anecdotes, case studies, and analogies), clarify and defend positions with precise and relevant evidence (facts, expert opinions, quotations, expressions of commonly accepted beliefs, and logical reasoning), and address readers’ concerns, counterclaims, biases, and expectations. Students will engage in academic conversations and discussions to enhance their learning. As they develop their understanding of persuasion, students will consider guiding ideas such as what elements make persuasive argument compelling, how an author’s use of evidence supports an assertion and persuades his/her audience, and what methods are used by an author to build an argument.

Instructional Component 2 - Exposition
Scope and Sequence (8 to 12 weeks)
Instructional Component 2 identifies and groups key skills and concepts in the area of exposition. Students will read varied models of expository texts for specific purposes and will analyze, distinguish, synthesize, create, and extend ideas that are presented in those texts. They will synthesize the content from several sources from a single author dealing with a single subject. Students will paraphrase ideas and connect them to other sources and related topics to demonstrate comprehension. They will also extend ideas through original analysis, evaluation, and elaboration.

Students will also be expected to write expository compositions and deliver expository presentations that marshal evidence in support of a thesis and related claims, convey information and ideas from primary and secondary sources, and make distinctions between the relative value and significance of specific data, facts, and ideas. To write effective expository compositions, students will engage in research, marshal evidence, and utilize appropriate forms of evidence and citation formats. These expository compositions and presentations also need to include visual aids, technical terms, and notations, as well as anticipate readers’ potential misunderstandings, biases, and expectations. As they develop their understanding of exposition, students will consider guiding ideas such as what are the elements of an effective analysis, how an author’s use of evidence from multiple sources supports a thesis, and what methods are used by an author to analyze, interpret, and evaluate information.

Instructional Component 3 – Literary Analysis
Scope and Sequence (8 to 12 Weeks)
Instructional Component 3 identifies and groups key skills and concepts in the area of literary analysis in various genres. Students will analyze literature in a more sophisticated manner such as elements of character; interactions among and between characters and plot, time and sequence; comparison of universal themes in several works; literary elements such as figurative language, allegory, and symbolism; ambiguities, contradictions, and ironies in text; and voice or persona. Students will be asked to articulate the relationship between the expressed purposes and the characteristics of different forms of dramatic literature. They will also compare and contrast the presentation of a similar theme or topic across genres to explain how the selection of genre shapes the theme or topic. Students will analyze interactions between main and subordinate characters in a literary text and explain the way those interactions affect the plot, and recognize and understand the significance of various literary devices, including figurative language, imagery, allegory, and symbolism. Students will also explain how voice, persona, and the choice of a narrator affect characterization, tone, plot, and credibility of a text. Using the terminology of literary criticism, they will also evaluate the aesthetic qualities of style, including the impact of diction and figurative language on tone, mood, and theme.

In order to understand literary elements in depth as an aid to reading and creating expressive discourse of their own, they will participate in close readings, discussion, examination, evaluation, and interpretation of texts. The primary genre foci in the tenth grade literary analysis component are short stories, poetry, and longer works, including novels.

The preferred pedagogical approach is best described as intertextual: the teaching and learning of literature through the use of multiple texts related thematically, biographically, culturally, historically, philosophically, politically, stylistically, by topic, by structure or by author. Students will also develop and integrate deep content knowledge of within and across genres through literary apprenticeship in which they are asked to read, write, think, discuss, and problem solve like writers, novelists, poets, and literary scholars and critics. They are also expected to write and deliver responses to literature that demonstrate a comprehensive grasp of the significant ideas of literary works or passages. Students learn to support important ideas and viewpoints through accurate and detailed references to the text or other works and demonstrate awareness of the author’s use of stylistic devices and effects created. They will also identify and assess the impact of perceived ambiguities, nuances, and complexities within a text.

Representative Performance Outcomes and Skills
In this course, students will know and be able to:
•  Use scaffolding strategies to make meaning of text.
•  Use instructional conversations (speaking and listening) to strengthen comprehension.
•  Analyze, evaluate, and elaborate on informational and literary texts.
•  Defend a position using appropriate evidence.
•  Engage in reflections to reflect on the subject matter content and learning processes.
•  Use the writing process for multiple purposes, including on-demand writing tasks.
•  Engage in research and individual inquiry to locate, analyze, and evaluate information.
• Develop a grade-appropriate academic vocabulary, including the connotation and denotation of words.
• Extend the ideas presented in primary or secondary sources through original analysis, evaluation, and elaboration.
• Evaluate the credibility of an author’s argument or defense of a claim by critiquing the relationship between generalizations and evidence, the comprehensiveness of evidence, and the way in which the author’s intent affects the structure and tone of the text.
• Synthesize the content from several sources or works by a single author dealing with a single issue; paraphrase the ideas and connect them to other sources and related topics.
• Compare works that express a universal theme and provide evidence to support the ideas expressed in each work.
• Write persuasive compositions, expository compositions, and responses to literature; write on-demand essays.
• Deliver persuasive arguments, expository presentations, and oral responses to literature.
• Prepare for California State Standardized assessments, including the California High School Exit Exam and the California Standards Test.
 • Revise writing to improve the logic and coherence of the organization and controlling perspective, the precision of word choice, and the tone by taking into consideration the audience, purpose, and formality of the content.

Assessments
• Teacher-designed participation, quizzes and tests
• Student-written essays and oral presentations
• Periodic assessments and other formative assessments
District Adopted Standards-Based Curriculum
• LAUSD English/Language Arts Instructional Guide, Grades 10 which includes the 10th Grade Unit Lessons
District Approved Texts and Instructional Resources
 • Perspectives in Multicultural Literature, Fourth Course, Holt, Rinehart, and Winston (Williams approved)
 • District approved standards-based textbook and corresponding District approved novel(s) and complete works
• Supplemental District approved standards-based instructional materials and resources
Other Instructional Resources
• Reading/Language Arts Framework for California Public Schools
Student Materials
  1. 3-ring binder (1-1½ inch)
  2. 3-pens (blue or black) and 3 pencils (There is no sharpener in the class).
  3. Pencil Pouch for #2.  The pencil pouch needs to be 3-hole punched so it can fit into your binder.
  4. Dividers (1 set = 5 separate tabs).
  5. College Ruled line paper, to go into your binder.
  6. 3-hole punch that fits into your binder.

Binder Checks
Binder checks will occur at the end of every week on Friday, making up 20% of your overall grade.  Each binder check will consist of the following:
  1. Weekly Grade Check with parent signature – 20 points
  2. Organization of materials (#’s 1-6 listed above)
  3. Returned assignments
  4. Agendas
  5. Notebook: Quick writes, reflections, and/or participation – 50 points
If you are not going to be at school on the day of a binder check (e.g.: field trip, guest speaker, participation in on-campus related activity) you must make arrangements ahead of time for full credit.  If you are absent you must provide the proper documentation for full credit and meet within me 1 day of your absence.  Failure to see me promptly may result in a reduction of points.

Grade Checks
In order for students and the AVID Elective teacher to stay informed of progress and missing work, students will be responsible for gathering weekly grade checks.  Grade checks are due every other week for 20 points.

Grading Scale
  A: 100-90
B: 89-80
C: 79-70
D: 69-60
F: 59-50
Participation
Students are required to participate in class activities and raise questions about text to the entire class.  Participation is the one component that will allow a student to attain an A in the class.  Failure to participate will result in the highest grade of a B.

Attendance Policy
Students are responsible for attending all classes and actively engaging the day’s lesson.  Student attendance is crucial to demonstration of proficiency in this subject.  10 points will be scores for overall attendance and can prohibit a student from attaining the 100 points, or an A for this elective.

Ten-Day Absence Rule
If a student misses more than 10 class sessions during a semester he/she may be subject to the loss of credit in that class.
---------------------------------------------------CUT HERE---------------------------------------------------
**This document is to be signed by a parent on the below lines, cut off and turned in.  The rest of the syllabus needs to be put into the front of your binder, in front of the dividers.

(Parents) I have read the above syllabus, understand, and accept how my child is being graded.  Additionally, I know I can get a hold of Kate Bridges at jkatbridge@aol.com



___________________________________ __________________
(Parent Signature) (Date)

September 16, 2013 - September 20, 2013 Weekly Agenda for 10th Grade English Class


Monday, September 16th: 


Write a prequel to "By the Waters of Babylon" detailing the events leading up to the cataclysmic destruction of the "City of the Gods". You may write the story from the first person point of view of the man John finds "sitting looking out over the city" or the story in the form of the man's last journal entry.

Go over hand out from ENGLISH WORKSHOP; Fourth Course; pages 67 - 68; exercises 1 - 2. This will be due on Thursday, September 19th.

Tuesday, September 17th: 

PERSPECTIVES in MULTICULTURAL LITERATURE
Pages 3 - 9
"Academic Vocabulary"; page 3
"Before You Read"; pages 4 - 5
"If Decency Doesn't, Law Should Make Us Samaritans"; pages 6 - 7

Wednesday, September 18th: 

No class today 

Thursday, September 19th: 

Your grammar homework is due today; ENGLISH WORKSHOP; Fourth Course; pages 67 - 68; exercises 1 - 2. 

PERSPECTIVES in MULTICULTURAL LITERATURE
Pages 10 - 11
"Reading Check": please incorporate the questions into your answers and answer in complete sentences. 
"Test Practice": please answer questions 1 - 8;  you may just write the number and the letter.

"Constructed Response": 
  1. Summarize the two writers' main claim
  2. Find evidence from each article which supports that writer's claim.
  3. Evaluate each evidence the writers used in their argument
  4. Write which article you found more convincing and why
This will be due by tomorrow, Friday, September 20th. 

Friday, September 20th: 

PERSPECTIVES in MULTICULTURAL LITERATURE
Pages 12 - 15
"The Parable of the Good Samaritan"
"Op-Ed Article: A State Championship Versus Runner's Conscience" 
"Writing Workshop": Writing a Persuasive Essay: Prewriting




Friday, September 6, 2013

Outline for "The Bet" Essay


Outline for “The Bet” Essay
Opening Paragraph:
1. Must include title (with quotation marks) and the name of the author
2. Must include a thesis statement
3. One sentence each to show what each paragraph is going to be about.
4. Transitional sentence which segues to next paragraph

First, Second and Third Body Paragraphs:
Mini-topic sentence to show what this paragraph is about.
Two to four sentences to develop the mini-topic sentence
Evidence must be pulled from the story by paraphrasing or by quotations to support your mini-topic sentence.
In your own words show how this evidence and/or quotation supports your thesis.
Transitional sentence which segues to next paragraph

Conclusion:
Go over the points you made in the first, second and third body paragraphs. There should be one sentence per point or paragraph.
Show how the author was successful in supporting his theme.

September 9, 2013 - September 13, 2013 10th Grade English


Monday, September 9th:
Please bring your Cornell Notes and your rough draft for “The Bet” on Monday.
We will do peer editing on Monday. Then you will take your rough draft home to write the final draft.
The final draft will be due on Tuesday.

Peer Editing:

Break into groups of four:
Pass your rough draft to the left

First Pass:
Check for:
Correct Heading: Should have Title, Name and Date
First Paragraph: Should have title of story, author's name, thesis statement, one sentence describing contents of each paragraph
Should have a grabber sentence which grabs your attention and makes you want to read the paper.
Each sentence in the first paragraph should have a subject, a verb, and expresses a complete thought.

Pass the rough draft to the next person on the left:
Second Pass:
Check for:
Each body paragraph has a mini-topic sentence
Each body paragraph has a quotation or a paraphrase of something that happened in the story
Each quotation has an explanation in the student's own words
Each sentence has a subject, a verb and expresses a complete thought
The final sentence should provide a transition to the next paragraph

Pass the rough draft to the next  person on the left:
Third Pass:
Check for:
The conclusion has one sentence for each of the body paragraphs summing up that paragraph
The student writers has concluded what the theme is, the techniques used by Liam Flaherty to show the theme and if he was successful.
Each sentence has a subject, a verb and expresses a complete thought.

Pass the paper back to the student.
Your job is now to take your paper home and write the final draft, which is due on Tuesday, September
10th.

Tuesday, September 10th:
Collect final draft of "The Bet"
Went over the answers to Vocabulary, Unit 1
Begin reading "By the Waters of Babylon"

Wednesday, September 11th
Read "By the Waters of Babylon"

Thursday, September 12:
Answer questions 1 through 6 at the end of "By the Waters of Babylon"on page 272.
Write a prequel to "By the Waters of Babylon"detailing the events leading up to the cataclysmic destruction of the "City of the Gods". You may write the story from the first person point of view of the man John finds "sitting looking out over the city" or the story in the form of the man's last journal entry.

Friday, September 13th:
Write a story modeled on "By the Waters of Babylon" in which a young person  from the future visits a post apocalyptic Los Angeles.  What would that young person from the future think parking meters might be? Or what purpose stop lights might have served before the apocalypse? Or the Highland/Hollywood Mall serve?




Sunday, September 1, 2013

September 3, 2013 - September 6, 2013 Weekly Agenda for 10th Grade English

Tuesday, September 3rd: 

In-class writing of the two-page, five paragraph essay on "The Bet". 

Friday, September 5th: 

Rough draft is due. 

We will break into groups of four to do peer editing: 

  • Each person will pass her/his paper to the person to the left to be edited by that person.
  • The first go-round the person will scan for spelling errors.
  • The paper will be passed to the next person to the left to be edited by that person.
  • The second go-round the paper will be scanned for grammar
  • The paper will be passed to the next person to the left to be edited by that person.
  • The third go-round the paper will be scanned for organization

You will then take it home and do the final draft, which will be due on Monday, September 9th. 

What Is the Theme?


TOWARDS the EXAMINED LIFE

This is by Thomas Trevenen from his blog TOWARDS the EXAMINED LIFE.  This is so good I decided to post it to my blog for my students to read.  I hope he doesn’t mind. 

What is a Theme?
(Or What is the Story About?)

Objective:  After this lesson, we shall this vow:

“From this day onward, whenever anyone asks us what a story or movie or tv show or play was about, we will not mention the plot or the characters unless it is to prove what we say is true.” 

What makes a story true?

Take the story of Humpty-Dumpty. There was no Humpty Dumpty.  There was no wall and no horses. No men. It didn’t happen. But it is true. How can this be? 

It is true because we recognize that sometimes a person can have a crisis that is so devastating that the damage will never be repaired to the point where the life was before.  Regardless of any repair that might be done, the life will never be the same as it once was.  This is what Humpty Dumpty is all about, but notice I have not mentioned the plot of the story. 

What is the truth of a story? It is in the theme. 

The theme of a work is the central idea behind it.  The plot and the characters and the setting and the mood and the tone and all other important parts of the plot are simply vehicles to express the theme.

What is the movie Titanic all about? It is about how love can surpass boundaries such as class, time and even death. It is about how love can give meaning and purpose to life. Look at the movie. Isn’t this some of what the movie is about?  Aren’t these ideas put forth through the plot and setting of the movie? And there are more ideas put forth in the movie. Isn’t it also about the nobility of human beings in difficult situations? Isn’t it about strength of character is not determined by social standing? Please note that ideas and not characters or particular situations are being discussed. If any part of a thesis must be proved, then elements of the plot can be taken out to to support the ideas of the theme. 

What makes a piece of literature or film great is often the strength of its theme. The more complex and revealing the ideas are, the more the reader learns about life.  The more valuable the lessons, the more enduring the work. Moby Dick is not great for its plot which bogs down in many places but for its themes about the nature of humanity and existence.  The search for the great white whale can really be about the search for the meaning of life and the forces that control it.  Is it the great white whale Ahab seeks or is it the force of creation that wears the mask of the whale. And what does that last sentence mean, anyway? These are a minute fraction of what the novel is about. 

Themes should be stated in terms of “may be’s” and “could be’s”.  Themes are not absolute science.  The theme does not happen “always” and “every time”.  Themes are possible events that may happen in certain circumstances because there is recognition that life is a complex, sophisticated experience with many possibilities. Try this theme of Mice and Men by John Steinbeck.

Life lived alone, friendless and without attachments can sometimes be a painful thing. When one finds companionship of a single human being, the quality of life can be improved dramatically. Sometimes, however, there will be forces of society and nature that will place a strain on the relationship. These forces may attempt to rend the friendship apart.  However, the value of the friendship may be that it allows for the beginning of dreams of a better future where people will be allowed to grow and live happily. If the opposing forces are too strong the friendship may be destroyed even to the point where one person will be made to sacrifice the dream and destroy the friend he loves in order to protect his friend from even greater harm. 

Or try to this set of notes from a really interesting group of students who discussed the theme of the “The Sweetheart of the Song Tra Bong” from The Things They Carried by Tim O’Brien. 

Sometimes a person can become lost in the savagery and excitement of war. If the person doesn’t find the fear involved unpleasant, the excitement could be enjoyable.  The person can actually enjoy war.  The person can even love the war. The person can enjoy the danger and risks of war....and may want to become a part of it.  In...war, everyone is part of a team and gains respect for who each person is....and what each person does.  A person might not want to lose the power by going home. The person might not want to lose what she or he has become. 

Notice the things the students did that was really well done. They started out slowly with an attempt to state what the story was about. With each succeeding sentence they delved a little deeper into the reasons why a person “become lost in the savagery and excitement of war”.  With each step they took, they made sure that the general thought about becoming lost in the savagery and excitement of war was supported by the plot of the story. Now the students’ explorations of theme is not a well-written paragraph; it is just notes for a future paragraph, but one can see the progression of thought involved.  They did not mention the plot, but in a written assignment [the theme] can be supported by the plot of the story.